Libertad = Rock and Roll Liberation
When Velvet Revolver released its debut album, Contraband, few would have guessed, given the short longevity of super-groups in today’s industry, that Libertad would not even be made. Not only was it made, but it shows a new degree of musical sophistication above its predecessor. Velvet Revolver’s sophomore album picks up where the first left off with a refreshing, in-your-face hard rock opus.
The first track, “Let it Roll,” kicks the album into high gear right from the start, utilizing a hard-hitting riff that will leave you feeling like you’re in the middle of a 1000mph tailspin straight for the ground. “Get out the Door” shakes all the lead out at the beginning of the album, Scott Weiland’s choppy vocals bringing a sassy, almost Aerosmith-like sound. “She Builds Quick Machines” turns it up another notch; break out the air guitars and crank it up, because this hard-rocker will leave you floored. There’s something about it that is almost reminiscent of being in an old muscle car, mashing the pedal, and listening as the engine pounds harder and harder.
With “The Last Fight,” Velvet Revolver shows its Guns N Roses roots with a power ballad. It lacks the power of “Fall to Pieces” off Contraband, but still displays the musical versatility of VR, one of the reasons they have lasted. Perhaps one of the best tracks on the album, though, is a remake of Electric Light Orchestra’s “Can’t Get it Out Of My Head.” Scott Weiland’s amazing vocal range shines through on this piece. It takes a soft ballad, and with a little innovation, hardens the sound without losing the power. In fact, I personally would call it stronger than the original. The final track, “Gravedancer,” ends the album on a soft note, in a style very reminiscent of Weiland’s days as lead vocalist of Stone Temple Pilots.
Libertad without a doubt shows a great deal of musical genius on Velvet Revolver’s part. In the face of the much punk-based, screamer/emo rock that dominates the airwaves these days, it’s good to see that some true masters of the business can still rock, and produce an album worth listening to.
